L O R D B U R N E R
Thank you Maggie Stables, for your amazing portrayal of Evelyn Smythe. You were fantastic!
I just don’t understand where this concept of ‘fake geek girls’ came from. Like, AT ALL.
Cus when I look for fandom related stuff like 90% of the fan art and the fanfiction and the meta, zines, comics, etc. Like 90% of the shit that I’ve seen is created by women & girls.
And all that stuff take’s a lot of work and research and critical analysis and staring at reference photos for hours.
We are literally the most well versed and invested group in the fandom. So, like, What the fuck boys? You mad you can’t keep up?
I saw an argument, and I can’t find it now, but it totally made sense, that there’s a gender split in fandom. Male fandom tends to be a curator fandom; male fandom collects, organizes, and memorizes facts and figures. Male fandom tends to be KEEPERS of the canon; the fandom places great weight on those who have the biggest collection, the deepest knowledge of obscure subjects, the first appearances, creators, character interactions.
Female fandom is creative. Females create fanart, cosplay, fanwritings. Female fandom ALTERS canon, for the simple reason that canon does not serve female fandom. In order for it to fit the ‘outsider’ (female, queer, POC), the canon must be attacked and rebuilt, and that takes creation.
"Male" fandom devalues this contribution to fandom, because it is not the ‘right’ kind of fandom. "Girls only cosplay for attention, they’re not REAL fans!" "Fanfiction is full of stupid Mary Sues, girls only do it so they can make out with the main character!" "I, a male artist, have done this pin-up work and can put it in my portfolio! You, a female artist, have drawn stupid fanart, and it’s not appropriate to use as a professional reference!"
In the mind of people who decry the ‘fake geek girl,’ this fandom is not as worthy. It damages, or in their mind, destroys the canon. What is the point of memorizing every possible romantic entanglement of heterosexual white Danny Rand if someone turns around and creates a fanwork depicting him as a bisexual female of Asian descent (thus subverting Rand’s creepy ‘white savior’ origins)? When Danny Rand becomes Dani Rand, their power is lessened. What is important to them ceases to be the focus of the discussion. Creation and curatorship can work in tandom, but typically, in fandom, they are on opposite poles.
This is not to say that there aren’t brilliant male cosplayers or smashing female trivia experts, this is to say that the need of the individual fan is met with opposing concepts: In order for me to find myself in comics, I need to make that space for myself, and that is a creative force. Het white cis males are more likely to do anything possible to defend and preserve the canon because the canon is built to cater to them.
Color Palette + The Eleventh Era
honestly i’d be surprised if three didn’t have ‘go away humans’ angrily written in sharpie on the door to his lab
In various schools in Uganda, and some other parts of Africa, children as young as five are punished for speaking African languages, indigenous languages and mother tongues at school. The modes of punishment differ. The most common one in Uganda is wearing a dirty sack until you meet someone else speaking their mother tongue and then you pass the sack on to them. In some schools, there are specific pupils and students tasked with compiling lists of fellow pupils and students speaking mother tongues. This list is then handed over to a teacher responsible for punishing these language rule-breakers. According to Gilbert Kaburu, some schools have aprons that read: “Shame on me, I was speaking vernacular” handed over to an offender of the No Vernacular rule, who then is tasked with finding the next culprit to give the apron. Most of the punishments, in their symbolism emphasise the uselessness of the African languages.
Commenting on a photo of two children in Uganda wearing dirty sacks as punishment for speaking their mother tongues, Zimbabwean writer, Tendai Huchu says:
“That sums up our self loathing and inferiority complex. Junot Diaz once said we do a better job of enforcing white supremacy ourselves than white supremacists ever could. I should add, notice how the punishment consists of wearing sack-cloth. The image is telling. You are rags if you speak your own language.”
Halima Hosh, agreeing with Tendai Huchu opines:
“It’s outrageous. What a slave mentality that a colonial language is considered higher or better/more worth than their own local language. Unbelievable. Do the Europeans learn any African language in school? No. Why not? Because we are not proud of our heritage, not proud of our languages, not proud of Black African history. These teachers need to be fired."
This is a serious problem. Read the entire article here: http://thisisafrica.me/schools-punishing-children-speaking-african-languages/ (via linglife)
Languages don’t generally become endangered because people just don’t really feel like speaking them anymore: it’s often much more brutal. And similar methods for repressing indigenous languages happen all over the world: this reminded me of a memorable quote from a man in Alaska “Whenever I speak Tlingit, I can still taste the soap.”
- C’rizz, listen to me! You need to recapture those souls and put them back into your absolver. (…)
- It is worthless, now. It has served its purpose. It was only ever an elaborate key to unlock a far greater vessel. You see, the actual absolver… is me. (…) I am not an angel of death, Doctor, but an angel of life everlasting!
I told you I would post a lot of drawings once I’m back. This was the last one. I just had to draw something about Absolution. For some reason I pictured C’rizz like a hellish figure radiating blinding light through cracks in his exoskeleton when I was listening to the end of this audio.
…fall. Don’t let me fall. Don’t let me fall. Don’t - I - I love the state. I love the state. I venerate the regime.
It’s difficult to draw something about The Natural History of Fear without spoiling it. At least I tried.
Also, obligatory Brazil reference in the second drawing.
The Rani, Romana and The Master.